lines and colors :: a blog about drawing, painting, illustration, comics, concept art and other visual arts
Friday, 11 July 2008
Marie Hohneck, illustrator
Puss in Boots, 1905
At the turn of the 20th century, women illustrators, especially for children books, became more common. Be it Kate Greenaway, Rie Cramer, Anne Anderson, Marie Hohneck, Norbertine Breßlern-Roth, etc. more and more women found a job as illustrators.
The academic training still was problematic and not equal for female and male students, and in most cases illustrating alone couldn't provide the livelihood. But nonetheless there were woman artists that became as popular as their male colleagues. Marie Hohneck certainly was one of them. Today mostly forgotten, she trained under Wilhelm Claudius, lived in Dresden and worked between 1885 and 1915.
Her popularity is shown very clearly by a simple fact: the fairy tale picture books she illustrated by order of the Stuttgart publisher Weise in 1905 were published with the serial title: "Hohnecks Märchenbilderbuch". To include the artist's name in the title of the publication was a rare practice at the time. It meant, that the name of the artist was popular enough to promote the book and ensure its saleability.
Hohneck's fairy tale illustrations strike a balance between conventional and modern. The chosen scenes are for example very traditional, as is the way Hohneck orchestrates the different scenes. Whereas the influence of the "Jugendstil" is shown in the lineament of the drawings, or the costumes of the heroines.
Little Red Riding Hood, 1905
Sleeping Beauty, 1905
Snow White and the Seven Dwarfs, 1905.
Goldenes Märchenbuch. Eine Sammlung der Beliebtesten Märchen mit 96 farbigen Illustrationen von Maria Hohneck. Stuttgart: Weise, .
Collective edition of twelfve picture-books to single fairy tales.